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Original Pirate Material 2002
A Grand Don't Come For Free 2004
The Hardest Way To Make An Easy Living 2006
When You Wasn't Famous 2006
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All Goes Out The Window
Blinded By The Light
Can't Con An Honest John
Could Well Be In
Don't Mug Yourself
Dry Your Eyes
Empty Cans
Fake Streets Hats
Fit But You Know It
Geezers Need Excitement
Get Out Of My House
Has It Come To This?
Hotel Expressionism
I Wouldn't Have It Any Other Way
It Was Supposed To Be So Easy
It's Too Late
Let's Push Things Forward
Memento Mori
Never Went To Church
Not Addicted
Pranging Out
Same Old Thing
Sharp Darts
Stay Positive
Such A Twat
The Hardest Way To Make An Easy Living
The Irony Of It All
Too Much Brandy
Turn The Page
Two Nations
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Mike Skinner's recordings as the Streets marked the first attempt to add a degree of social commentary to Britain's party-hearty garage/2-step (and later grime) movement. Skinner, a Birmingham native who later ventured to the capital, was an outsider in the garage scene, though his initial recordings appeared on Locked On, the premiere source for speed garage and, later, 2-step from 1998 to the end of the millennium. He spent time growing up in north London as well as Birmingham, and listened first to hip-hop, then house and jungle. Skinner made his first tracks at the age of 15, and during the late '90s, tried to start a label and sent off his own tracks while he worked dead-end jobs in fast food.br /br /At the end of 2000, he earned his first release when Locked On -- already famous for a succession of burning club tracks from Tuff Jam, the Artful Dodger featuring Craig David, Dem 2, and Doolally -- signed him for the homemade "Has It Come to This?" By the following year, the single hit Britain's Top 20 and the inevitable full-length followed in early 2002. That album, Original Pirate Material, unlike most garage compilations and even the bare few production LPs, found a home with widely varying audiences, and correspondingly earned Skinner a bit of enmity from the wider garage community. By the end of the year, it had been released in the States as well, through Vice. After a quiet 2003, Skinner returned with A Grand Don't Come for Free, a concept record that pushed his production and performance eccentricities to a new level, but also resulted in a fresh wave of critical praise. A succession of live dates followed, after which Skinner began recording his third full-length, 2006's The Hardest Way to Make an Easy Living, which shone a bright light on the vagaries of fame as Skinner had experienced it. ~ John Bush, All Music Guide
 
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